Three exhibitions to see in New York without crowding the major museums

In order to get away from the typical tourist spots and, more importantly, to avoid waiting in long lines at New York’s major museums, here are three wonderful exhibitions that you should check out this spring: one is curated by the prolific collector Peter Marino at the jeweler Tiffany, another is centered on the landscapes of Gustav Klimt, and the third is curated by Christopher Wool, one of the most influential contemporary American artists, in lower Manhattan, close to Ground Zero.

At the moment, visitors from all over the world are visiting the Metropolitan Museum of Art (MoMA) to discover these moving works by the great German pacifist artist of the in-between years, Kathe Kollwitz. It is also possible to visit the Metropolitan Museum of Art (Met), which displays magnificent Renaissance portraits in addition to major European paintings from the 1300s to the 1800s. Many of these museums are located in New York City.

There are also exhibitions that are on a more human size that are held in locations that are slightly less crowded. Challenges has chosen three things that are absolutely necessary for these spring days.

Works of exceptional quality at Tiffany

“Culture of Creativity” is a collection of seventy pieces, two of which were created by Jean-Michel Basquiat, three by Damien Hirst, and a half dozen by Julian Schnabel. These works are presented in a magnificent manner in one of the most prestigious boutiques on Fifth Avenue. Not only is the architect and art collector Peter Marino displaying some of his works until the end of the month at the jeweler Tiffany, but he is also the one who renovated the ten floors of the famous boutique over the course of two years, following the repurchase of the brand by the LVMH group, which at the time was a shareholder in Challenges.

Peter Marino, a collector, holds an exhibition at Tiffany on Fifth Avenue in Manhattan. The display is centered around the collection. One of the many works by Julian Schnabel that may be observed in the foreground that is located there. All credit goes to Sabine Syfuss-Arnaud.

The end result is two exhibition floors that showcase remarkable modern works, such as those created by Rashid Johnson and Sarah Sze, as well as a multitude of portraits created by Marino himself among others. During their exploration of the entire structure, guests will also have the opportunity to find jewelry, watches, silverware, and diamonds from the past.

One example of this is the huge silver-gilt forks that were constructed at the end of the 19th century for the purpose of eating ice cream. Additionally, he is able to view all of the arrangements that Peter Marino designed in that location. Splendid ceilings that were influenced by Andy Warhol can be found here.

Interwar art displayed at the Neue Galerie

In the Neue Galerie, which is located a little farther up along Central Park, landscapes by Gustav Klimt that were inspired by his stays in Switzerland are displayed. These landscapes are much less well-known than Klimt’s portraits. Ronald Lauder, the son of Estée Lauder, is the owner of the Neue Galerie. The play of light and shadow, as well as the pallet of greens that it contains, are both stunning. In the event that the exhibition closes on Monday, May 6, a significant number of the paintings that were displayed will continue to be part of the collection and will be displayed within the same mansion.

We learn about the art that was produced during the interwar period in Germany and Austria. A collection of exquisite portraits by Klimt, including the exceptionally well-known portrait of Adele Bloch-Bauer, which was taken by the Nazis and returned forty years later after a Homeric war that was shown in the film “La Femme au tableau” (Woman in Gold, 2015).

In addition, there are paintings by prominent German Expressionists, some of whom were members of Estée. These artists include Karl Schmidt-Rottluff, Ernst Ludwig Kirchner, Max Beckmann, Otto Dix, Emil Nolde, and August Macke. An excursion to the Sabarsky café, where you can indulge in thick hot chocolate, indulge in Viennese desserts, and read the Austrian press, is a viable option for the conclusion of the visit.

The exhibition of Christopher Wool, which has received a lot of praise

An event installation called “See Stop Run” is located at the very bottom of Manhattan, very near to Ground Zero. This exhibition is the complete antithesis of the ambiance that can be found in the Neue Galerie. Christopher Wool’s most extensive show since 2014 has garnered praise from the American press, including a lengthy story that was published in the New York Times.

The artist from the United States desired to exhibit his most recent works, which included paintings, sculptures, mosaics, and photographs, not in a gallery but rather in a “raw” room that was approximately 200 square meters in size. He selected the nineteenth story of a building because the location, which is illuminated by light, appears to provide the works with a sense of life and perspective. The pieces are positioned in front of big windows that look out onto the harbor of New York, the ocean, and Staten Island in the distance.

Wool, who was exhibited by the Museum of Modern Art of the City of Paris in 2012, by the Guggenheim Museum, and several works of which are part of the collections of Vuitton and Pinault, wanted to reconnect with the energy of New York, which has inspired him for forty years, in this exhibition whose atmosphere smells of the Big Apple of the mid-1980s, which was so well filmed in Scorsese’s cult film After Hours. Wool’s works are part of the collections of both Vuitton and Pinault.

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