‘What Did Jennifer Do?’ is a documentary that uses computer-generated imagery to create fake but convincing convincing scenes.
‘What Did Jennifer Do?’ is one of the top documentary films on Netflix right now, right up there with ‘The Batman’ and Aitana’s ‘Wall with Wall,’ which is now at the top. But a brief clip undermines his strong true crime method by casting doubt on all of his documentation.
The film is based on the true story of the parents of a young student named Jennifer, who were shot dead by home invaders. Her statement starts to fall apart as details that don’t match up with her devastated state of mind. We shall soon find out about her daughter, who, in an effort to appease her picky parents, made up a whole successful academic and professional career while still in high school and college. There are still open questions regarding the trial’s development and pending appeals in the real-life case that the film is based on.
But there’s more to the story than just the usual arguments surrounding true crime items. Just days after the premiere, the website Futurism noticed that the video used a couple of AI-generated images as graphic documentation. The photos claimed to have “all the characteristics of a photo generated by artificial intelligence: destroyed hands and fingers, deformed facial features, modified objects in the background and an overly long front tooth.”
A crucial discussion regarding the application of generative AI is therefore launched. Because if the tool’s usage in fiction raises ethical concerns (e.g., about the displacement of skilled workers and the question of where the materials used come from), then in documentaries, those concerns multiply because the audience believes the evidence presented is real.
Theoretically, this has far-reaching consequences: occasionally, documentaries will embellish real-life events for dramatic effect or because they lack primary source footage. Think about all the crime dramatizations that you see in documentaries. However, the visual language shifts at that point, making it immediately apparent to the viewer that what he is seeing is a fabricated scenario. One issue with these images is that Netflix never says they are phony. Instead, they’re utilized to make the audience feel sorry for the main character and show that she was just “a normal girl.”
“Even if it is disclosed that [a material] is generated by AI, it can leave any documentary.” Rachel Antell, co-founder of the Archival Producers Alliance and an authority on the unethical use of AI images in documentaries, tells 404. “Then it’s forever part of the historical record.” “We encourage people to be transparent about use and, in some cases, where appropriate, to obtain consent to recreate things that have not necessarily happened.” She also suggests a few measures to make sure viewers are aware.
According to Futurism, the true crime documentary What Jennifer Did on Netflix has been accused of employing artificial intelligence-manipulated visuals. Various images display the telltale symptoms of artificial intelligence deceit, such as deformed hands and other peculiar objects. The use of such photos in documentaries is called into doubt, especially because the subject is currently in prison awaiting retrial, if the report is correct.
The documentary’s subject, Jennifer Pan, has a bizarre gap in her cheek and a severely deformed left hand in one disturbing photograph. The photographs display obvious indications of manipulation and were never identified as AI-generated; Netflix has not yet responded to the report.
According to PetaPixel, the AI might be using actual Pan pictures to create the images. But instead of giving an unbiased presentation of the facts, the end product could be seen as biased. The CBC said that a Canadian court of appeals ordered a new trial for Pan due to the trial judge’s failure to provide the jury enough options.
The documentary on Netflix was criticized by journalist Karen K. HO, who claimed that it exemplifies how the “true crime industrial complex” feeds a “all-consuming and endless” desire for violent media. That claim could be further supported by Netflix’s possible utilization of AI-manipulated visuals for storytelling purposes.
It would appear that no particular legislation governs the use of AI photos or video in documentaries or other content at this time, despite the fact that regulators in the US, Europe, and other regions have passed regulations on the use of AI.
The artificial intelligence (AI) crisis involving Netflix began earlier this week when Futurism discovered that the documentary What Jennifer Did.. had utilized AI-generated imagery. Citing a lack of mention of AI in the film’s credits, critics have accused the producers of “potentially embellishing a movie that’s supposed to be based on real-life events,” as reported by Ars Technica.
The employment of artificial intelligence (AI) in photo editing was left unclear by an executive producer of the Netflix blockbuster, who did admit that certain photos were altered to conceal the source’s identity. According to the source, when it premiered in early April, What Jennifer Did soared to the top of Netflix’s worldwide top 10 lists, drawing in legions of true crime enthusiasts curious about Pan’s motivations for paying hitmen $10,000 to kill her parents.
According to the Daily Mail, who published a post with numerous instances of film stills, the documentary soon became a contentious issue as viewers pointed out obvious errors in the photographs utilized. These included, among other things, the subject’s earrings being strangely mismatched and the fact that her nose seemed to be missing nostrils.
According to Jeremy Grimaldi, a crime writer who authored a book about the case and supplied the documentary with research and police evidence, the visuals in the documentary were not created using artificial intelligence, as he explained to the Toronto Star. According to Grimaldi, every shot of Pan in the film was a genuine photograph. He did clarify, though, that the intention of the editing was to safeguard the original photographers‘ identities and not to muddy the waters between fact and fiction.
Grimaldi told The Star, “Any filmmaker will use different tools, like Photoshop, in films.” All of the pictures of Jennifer are authentic. Right there in the front is her. In order to safeguard the source, the background has been removed. Even though Grimaldi’s remarks confirm that the images are modified versions of Pan’s actual ones, they don’t specify whether AI was one of the “different tools” utilized for the editing process.
Over the weekend, Futurism uncovered some peculiar photographs in the new real crime documentary “What Jennifer Did” on Netflix. The images feature mangled hands and other characteristics typically associated with artificial intelligence (AI) created or altered images.
In 2010, a Canadian woman named Jennifer Pan was found guilty of plotting the murder of her parents for financial gain. The film follows her story. Now she’s a lifer behind bars.
The morphing fingers, strange and deformed face features, and jumbled backdrop items first appear at about the 28-minute point in the documentary.Many questions arise. Were new Pan photos created using preexisting archival images? Or were pre-existing images altered using AI tools? Or is there another explanation for the graphics that makes them look like AI?
The documentary’s executive producer, Jeremy Grimaldi, has now spoken out in an interview with the Toronto Star, however his comments are unclear and he doesn’t bring up AI once.
“Any filmmaker will use different tools, like Photoshop, in films,” according to him. “The photos of Jennifer are real photos of her,” said the man. Her figure is squarely in the forefront. In order to safeguard the source, the background has been removed.
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