HBO Max exploits Spain's interest in national 'true crime' with 'The Sancho Case'

During the past few months, Daniel Sancho has emerged as the main character in the most troubling segment of television. Also, within the ‘true crime’ style of storytelling

Here in Spain, we are currently experiencing a second golden age of true crime. With recent releases such as the documentary titled “The Sancho Case” on HBO Max and the very upcoming documentary titled “The Asunta Case” on Netflix, which will once again make people talk about one of the most media cases in recent years, it is evident that in our country, the interest in real cases (whether they are portrayed in documentaries or in fictions inspired by facts) attracts tens of thousands of people.

A first explosion occurred. A historical newspaper such as “The Case,” which was published between the years 1952 and 1997, continues to be a reference for our most sinister pop culture today. Television programs such as “Who knows where” have continued the tradition of publishing black chronicles, often concealing them under more salable clothing.

They have always been popular in Spain. The current situation is such that it is extremely uncommon to come across a television magazine that does not pay attention to current events, and we occasionally come across recoveries of previous cases. In point of fact, the incredible piece of work known as “The Alcàsser Case,” which was Netflix’s first documentary production in Spanish, was one of the company’s first hits made in our nation.

There are new echoes. The enthusiasm that the Spanish have for the black chronicle, which is a type of information and fictions that are generated from it, has a very deep tradition that extends back, as it does in so many other nations, to the beginnings of industrialization, is still very prevalent in the present day. In fact, there are even jumps between different platforms and networks: the excellent and award-winning ‘Crims’ from TV3 went first to Movistar Plus+ and then to Netflix.

This was made possible by the success of another recent media case, which was that of Rosa Peral and its interesting fictionalization in the successful series ‘The Body on Fire’, which is also available on Netflix. The emergence of additional series and documentaries on current incidents of the Spanish black chronicle has been a direct result of this event, which served as the initial signal.

As the trend continues, HBO joins in. The documentary titled “The Sancho Case,” of which just one “Episode Zero” has been released up to this point, is one of the most recent and much discussed examples of this pattern. HBO Max premiered it on the same day that the real trial against Daniel Sancho began, despite the fact that the material was sparse.

The material consisted of a lengthy interview with Rodolfo Sancho, the famous father of the alleged murderer, Rodolfo Sancho, who has been much commented on for the unpleasant and empathetic side he exhibits in his statements. This was done with a sense of opportunity that is typical of the most sensational days of “The Case.” It was stated by Jimina Sabadú that if this documentary has accomplished anything (other than paying the exorbitant expenditures of the court process), it is to entirely destroy the image of Rodolfo Sancho. To add insult to injury, we have only been in court for two days.

True crime shown in real time. One of the unique characteristics of ‘The Sancho Case’ is that it is being built in real time, as the platform itself boasts. HBO Max describes the series as “a journey that pivots between the present, the past, and the future, offering a contextualized and documented story that becomes more complex as the case progresses and whose end is not yet written.

” The series proposes a journey that is both physical and psychological, full of jumps in time and unknowns that need to be resolved. An intriguing experiment that is more concerned with the requirement to maintain the state of suspense regarding the progression of the judgment than it is with making a proposition that is both reflective and subversive regarding the narrative mechanics of the genre.

Also, additional genuine crimes. ‘The Asunta Case’ on Netflix (which will be released on April 26) is without a doubt the most significant premiere of the genre for the upcoming weeks; however, we have already received ‘El rey del cachopo’ on Netflix, which is also available on the streaming service. Even the generalist networks are getting in on the action: Telecinco has announced that the premiere of ‘The Marquis’ will take place in the coming months.

The show will depict the high-profile case of many murders that occurred on the Los Galindos estate in the 1970s. Television 3 (TV3) has made the announcement that it will be airing a show called “El mal,” which is about the deaths of homeless people in Barcelona during the pandemic. There is a fever that does not appear to be going away, and this is even more concerning given that we have dozens of actual instances in Spain to refer to.

Dolores Vázquez, who was arrested in September 2000 for the murder of Rocío Wanninkhof, the daughter of her former boyfriend, will be the subject of the six-part documentary that will follow an investigation into her case. Vázquez was assailed for her sexuality and character in Spain, with many outlets portraying her as a cold and calculated killer. Meanwhile, her ex-girlfriend became a regular on local television, blaming Dolores for the murder of her daughter. The case is what sparked a media frenzy in Spain. After serving more than five hundred days in prison for a crime that she had not committed, Vázquez was eventually released from her confinement.

Regarding the Wanninkhof, Dolores: The Truth About It After living in exile in England for twenty years, Vázquez now tells her story to the public for the first time in Case. Through the use of archive photographs, interviews, and a fictional reconstruction of the events, the series intends to recreate the narrative from several different perspectives.

Unicorn Content in Spain is responsible for producing the series for HBO Max, and it is scheduled to make its debut after the introduction of the service in Spain later this present year. When it comes to HBO Max, Miguel Salvat and Hanka Kasteliková serve as executive producers. Unicorn Content is comprised of three individuals who serve as executive producers: Xelo Montesinos, Víctor García Martín, and Toñi Moreno.

There are a significant number of excellent films available on the streaming site, the majority of which are focused on criminal behavior. However, for the purposes of this list, we have restricted the definition of the genre to concentrate solely on those all-consuming stories that cause you to watch many horrifying stories in a marathon session. You are probably familiar with those whodunits, or more commonly, those why-did-they-do-it stories, which lead you into a rabbit hole of armchair psychology, amateur investigation, and nonfiction nightmares.

When most people hear the term “true crime,” their thoughts immediately go to gruesome murders, twisted thinking, and companies that engage in illicit activity. They don’t typically consider water slides to be an option. However, Class Action Park is an exceptional instance.

In this outstanding documentary, which was directed by Seth Porges and Chris Charles Scott III, there is an equal amount of sentimentality toward theme parks, concepts that are delightfully stupid, and — and this is where the crimes come in — the unfortunate victims of those really stupid ideas. The narrative of the film focuses on Action Park, a notorious water park located in New Jersey that is notorious for its risky attractions and its careless approach to personal safety.

There were at least six fatalities and literally innumerable injuries that occurred between the time it first opened its doors in 1978 and the time it closed its doors in 1996. This notably dangerous tourist attraction has been in operation for almost twenty years, and Class Action Park explains the narrative of how all of that came to be. It also lays out the circumstances that have kept it in business. This is Adam Rosenberg, Senior Reporter for Entertainment Industry

Erin Lee Carr, a documentary filmmaker and true crime heavy hitter, recounts the odd murder of Dee Dee Blanchard in her film Mommy Dead and Dearest. Carr’s other absorbing works appear twice more on this list. The narrative of Gypsy Rose Blanchard, a victim of Munchausen syndrome by proxy who was 19 years old at the time of her murder in 2015, is depicted in the film that was released in 2017. Blanchard was a victim of abuse throughout her entire childhood.

Carr’s telling provides a more nuanced look at the fact pattern, but some viewers may recognize the case from its serialized portrayal in Hulu’s The Act. There are some viewers who will recognize the case. It is a perplexing dilemma of justice that sees a mother and daughter switch roles as the victim and the attacker. This raises major questions about the ability of the criminal justice system to hand down decisions that are rational in situations that are morally complex. Alison Foreman, a reporter for the entertainment industry

A production that can be understood and enjoyed on its own, The Case Against Adnan Syed was conceived of and conceived of by Amy Berg, who was nominated for an Academy Award. However, for the majority of viewers, the four-part documentary series acts as a companion piece to the seminal podcast Serial, which brought the murder of Hae Min Lee, a high school student from Baltimore County, to the attention of people all over the world in 2014.

This series not only covers the narrative of Adnan Syed, the man who was convicted of the murder, from the time of the investigation until the post-conviction relief hearing in 2016, but it also investigates the media fever that was brought about by the success of the podcast by itself. Although it is unlikely that the project will convince you to change your thinking about the case, it does provide new insights and facts that are worth your consideration. The Case Against Adnan Syed, which was produced by Amy Berg, who was nominated for an Academy Award, may be understood and appreciated as a whole separate production.

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