Coppola can't distribute 'Megalópolis'. He's not alone.

Names that were once considered to be unquestionable in the American commercial film industry are no longer selling on their own.

Despite the fact that it is hard to believe, Francis Ford Coppola, the filmmaker of a number of cinematic masterpieces, like the “Godfather” trilogy and “Apocalypse Now,” is having trouble finding a distributor for his newest picture, which is titled “Megalópolis.” And he is not the only one: production companies are counting on safe commerce, and the most experienced creators and artists are being shut out of the conversation.

This is the final insanity. ‘Megalopolis’ is a massive science fiction project that Coppola had to finance by selling off a portion of his vineyards. However, word has been spreading for a few weeks now that the project is absolutely insane. After the initial showing of the film, it was stated that “it’s amazing how crazy it is” and that it is “a mix of Ayn Rand, Fritz Lang’s ‘Metropolis,’ and Tinto Brass’ ‘Caligula.” These statements were made after the film was shown for the first time. As a direct consequence, the picture is having a difficult time securing distribution, which was an inevitable consequence.

A megalomaniacal megaregional city. The picture, which has been a part of Coppola’s mind for the past four years, is an ambitious dystopian production that has cost a total of 120 million dollars. Considering that the director of “Corazonada” has been in the industry for more than a decade, this is a somewhat daring choice. not being directed. ‘Legitimate defense‘, which she produced in 1997, was also her most recent project on a significant scale.

The film “Megalopolis” depicts the narrative of a lady who discovers that the two men in her life have destinies that are diametrically opposed to one another. Her father is a powerful businessman, and her lover is an architect who wants to reimagine New York City after a catastrophic event.

Cannes, as well as distribution. During the same week that a number of sources were claiming that Coppola was having trouble securing distribution, it was announced that the film will be included in the official part of the Cannes Film Festival. The picture is described as being so peculiar and vague that “there is no way to position the film,” according to a number of sources; yet, some distributors suggest that Coppola contribute to this final phase by putting extra money out of his own pocket.

It would appear that no one has a good understanding of the situation when it comes to investing; but, if Coppola himself put even more money out of his own pocket to finance the film, which is something that he has previously done by himself, there would be more parties interested in investing.

Authors who are living in a void. There are other legendary Hollywood directors who are having difficulty securing funding, and Coppola is not the only one. Recent statements made by Woody Allen indicated that he was reevaluating his decision to retire. His situation is unique due to the fact that in the final stages of his career, a number of other circumstances that are extremely complicated come into play, such as all of those that are associated with the cancel culture.

However, there are instances of authors such as Clint Eastwood, who, despite the fact that he is already working on what could be his final film, there were rumors that Warner wanted to end its fifty-year relationship with him. This was due to the fact that CEO David Zaslav had not been pleased with the decision to finance “Cry Macho,” which had ultimately been unsuccessful at the box office.

Directors who are able to connect. In spite of the fact that there were some who joked that in order to make “Megalopolis” a hit, it was sufficient to put up posters that said “From the director of “The Godfather” and “Apocalypse Now,” the reality is that for quite some time now, well-known directors have repeatedly failed to achieve success at the box office.

There have been three films that have not been successful at the box office: “Silence,” “The Irishman,” and “Killers of the Moon.” Both ‘West Side Story’ and ‘The Fabelmans’ are among Spielberg’s productions. ‘Three Thousand Years Waiting for You’ was the film that brought George Miller to the forefront of the industry before he got involved with ‘Furiosa’. It would appear that there is no longer any iconic name that has any promise of anything. No one, not even John Waters, the most infamously low-budget film filmmaker of all time, is able to find a means to finance his picture “Liarmouth.”

There are delicate moments. A delicate period is currently being experienced by the industry. Those who were going to be the new majors in the film industry, streaming powers such as Apple or Netflix, are either chaining failures or quietly receding from the steps of their lofty intentions.

Disney has announced plans for the year 2024 that do not include most of the films that are associated with its successful franchises. It is true that there are corporations such as Warner that have a string of successful films, such as “Barbie,” “Wonka,” “Dune: Part Two,” and “Godzilla and Kong,” but these films are all franchises or sequels. Each of these films is a sequel to the previous one. That puts the typical authors in a very precarious position.

The legendary director Francis Ford Coppola is not concerned about the negative hype that is around his upcoming epic film, Megalopolis, which he is self-funding and starring a long number of A-level actors such as Adam Driver, Dustin Hoffman, and Shia LaBeouf.

Coppola informed The Daily Beast in a statement that was delivered through an editorial assistant during a break from the ongoing post-production process of the film that “this is exactly what happened with Apocalypse Now forty years ago.”

The events of Megalopolis are believed to take place in a reimagined version of New York City following the catastrophic devastation of the city. The plot is built on the ideological differences that exist between the two main protagonists, a charismatic mayor and an architect, who are both working toward the goal of getting back on their feet. “The Catiline Conspiracy” is a strange story about an attempted coup in Ancient Rome, and Coppola has stated that he based his script, at least in part, on the same story.

According to a report that was published by The Hollywood Reporter on Monday, a number of executives from studios and industry insiders who attended a screening of Megalopolis on March 28 and saw the film, which does not yet have a predetermined release date, came away with a negative impression regarding the film’s ability to find a distributor.

According to The Hollywood Reporter, a studio head who wished to remain nameless went so far as to declare, “It’s so not good, and it was so sad watching it.” An additional distributor stated, “There is simply no way to position this movie.”

For example, in his statement to The Daily Beast, Coppola said, “There were very contradictory views expressed, but the audience never stopped going to see the film, and to this day, Apocalypse Now is still in very profitable distribution.” This statement was made in reference to his Vietnam War nightmare epic Apocalypse Now, which was released in the summer of 1979.

In addition, the filmmaker stated unequivocally, “I am certain that this will be the same situation with Megalopolis.” “The test of time will not be able to beat it.”

At least one other director working in Hollywood is in agreement. In an interview with The Daily Beast on Tuesday, Gregory Nava, who was nominated for an Academy Award and directed the biopic Selena in 1997, stated that he had seen Megalopolis and referred to it as “a visionary masterpiece.”

According to Nava, “It is an unbelievable, astonishing film, and [Coppola] is pushing the boundaries of cinema.” He also mentioned that Giancarlo Esposito and Shia LaBeouf turned in particularly outstanding performances in the film. The utilization of visual effects and other elements that were previously restricted to superhero films has been implemented by [Coppola] in order to elicit a wider range of feelings.

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